When I wrote my article about lactones, I explained that Guerlain Mitsouko was one of the first perfumes to use these compounds redolent of peach skin and cream. Many of you then commented that you found it difficult to detect lactones in Mitsouko. This difficulty is not surprising, since the peach skin note in Mitsouko is not intended to be a dominant one. Instead, it offsets the darkness of moss and woods and harmonizes the warm drydown and the floral heart of the perfume.

In general, none of the Guerlain classics are easy to take apart note by note; this is not like modern niche perfumery where you can tell the percentage of Iso E Super at first sniff. The idea of the grand parfums like Mitsouko wasn’t to recreate a smell of peach or moss, but to evoke a mood, to tell a story and to tease the senses. I like the streamlined modern perfumes for other reasons, but if I want baroque complexity, Guerlain classics are my first port of call.

Like other perfumers, I spent months of my training recreating important classics without recourse to gas chromatography–with only my nose to guide me. So here I propose a technique that will help you identify the peach note in Mitsouko.

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Our “Recommend Me a Perfume” thread is open this week. You can use this space to find perfume recommendations, to share your discoveries and favorite scents, and to ask any questions about scents, aromas and flavors.

How does it work: 1. Please post your requests or questions as comments here. You can also use this space to ask any fragrance related questions. To receive recommendations that are better tailored to your tastes, you can include details on what you like and don’t like, your signature perfumes, and your budget. And please let us know what you end up sampling. 2. Then please check the thread to see if there are other requests you can answer. Your responses are really valuable for navigating the big and sometimes confusing world of perfume, so let’s help each other!

To make this thread easier to read, when you reply to someone, please click on the blue “reply” link under their comment.

Photography by Bois de Jasmin

Lately I’ve become fascinated by perfumes that I’d characterize as old-fashioned. Or if you don’t like the word, vintage or retro. Despite the cliches of timeless and unchangeable, many perfumery styles become associated with the time and place that gave rise to them. The aldehydic floral perfumery exemplified by Chanel No 5 echoes the early decades of the 20th century. Bold green chypres scream the 1970s, and I dare anyone to spritz on Dior Poison and not think of the glitz and glam of the 1980s. Decades later, these styles read as evocative of another time, and yet that’s part of their appeal. If I want some escapist fun, I reach for powdery carnations, shimmering aldehydes and creamy tea roses.

There are many reasons why calling some of my favorites old-fashioned doesn’t trouble me. For one thing, working in a perfume lab, I’m so used to hearing styles described as “old” or ”new” that I don’t ascribe value judgments to these terms. Perfumers don’t usually intend it. Some styles are older than others such as chypres, and they still retain their appeal. Some new styles lose their novelty after a few seasons like the savory gourmands.

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Last weekend I had a cooking class with Zulfiya Ma Tian Yu of Dungan Food. Zulfiya lives in Bishkek, Kyrgystan, but we managed to overcome the Bishkek-Brussels distance by a combination of video and WhatsApp. Thanks to  modern technology, I’ve learned the basics of this ancient cuisine. The Dungans are a community of Muslims of Arab-Chinese descent living in Central Asia, mostly in Kyrgyzstan and Kazakhstan. Originating from Western China, where the Dungans are known as Hui, this community has a distinctive identity, amalgamating various cultural influences. Its cuisine is likewise diverse, vibrant–and different from the cuisines of their immediate neighbors.

Imagine the sophisticated seasonings of Persian cuisine, intricate Chinese techniques and the robust Central Asian palette–and you get an idea of what Dungan food is like. There are noodle dishes served with an array of dozens of salads and sauces, dumplings filled with lamb and pumpkin, and paper-thin crepes for wrapping stir-fries of garlic chives and pepper. Each meal is served with plenty of vegetables, and everything is cooked just enough to enhance the natural flavors.

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What are lactones and why are they so enticing? As their name hints, lactones are organic compounds with a milky, creamy scent. Lactones lend their characteristic scent to peaches, milk, tuberose and even spicy vegetables like celery and lovage. They occur in white meat, which is one of the reasons why prosciutto and mozzarella or prosciutto and fruit make for such a delectable combination.

With their voluptuous qualities, lactones are well-suited to perfumery and they are among the most commonly used materials. The most famous example of the use of lactones is Guerlain Mitsouko. As I’ve explained in my previous article, in 1919 Jacques Guerlain experimented with gamma undecalactone, which had been discovered only a few years earlier. He found that when he wove this peach skin-redolent material into a dramatic mossy-woody accord popularized by Coty Chypre in 1917, the effect was that much more vivid and luscious. The rest, as they say, is history.

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