Babel comes from the Hebrew verb meaning “to confuse,” and the story of Babel is the story of human folly in aiming to reach the heavens by building a large tower. To stop their efforts, God splintered their tongue into a dizzying multitude–and created the first language barrier humanity has experienced. Yet, one can find this diversity incredible, rather than regrettable. The 6,000 or so human languages that exist today are so rich that learning them, or learning about them, is a fascinating pursuit.

I’ve shared some of my tips on learning languages in three different articles, How I Learn Languages, How I Learn Languages: Where to Start, and How to Learn A Language by Reading and Listening, but today I would like to invite you to read about languages. I’ve selected five books that either explore the way languages developed or the way people use them. None of them are standard academic books, but rather works written by people passionate about words, sounds and letters.

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Do you remember the scent of your mother’s lipstick? Do you enjoy the aroma of Nivea cream? Have you ever wished to have the fragrance of your favorite sunscreen as a perfume? The November 2019 issue of Financial Times’s HTSI Magazine includes my article about the scent of lipstick and other cosmetics. I explore the nostalgia behind these aromas and explain why these scents, though subtle and discrete, can have a powerful effect.

I don’t remember the colour of my first lipstick, but I recall its scent. I was passing through the local department store in Chicago, aged 15, when an array of shiny, black tubes at the Chanel counter drew my attention. They promised the glamour and sophistication that I desperately craved. I was making swatches of the different tones of pinks and reds on the back of my hand when, suddenly, I became aware of the fragrance of roses.

The wave that swept over me was so intense that my eyes welled with tears. The scent reminded me of my great-grandmother, Asya, who adored rose essence; its sweetness enveloped her and always left a rich sillage in her wake. Even her lipstick smelled of roses. When Asya wasn’t around, I furtively sniffed her rouge compact, its fragrance evoking her soft cheeks and melodious laughter.

Update: The article is now available online, The Nostalgic Allure of Lipstick, November 2019.

As always, I’d love to know what scents transport you? Do you have favorite scented lipsticks or other cosmetics?

CANCELLED DUE TO COVID-19

Our Ukrainian Scent and Taste Adventure tour is scheduled for June 2-9, 2020. I’m partnering with Nataliya Cummings of the Experience Ukraine, a boutique UK based tour operator. We’re taking reservations right now and there are still some places open. We would like to accommodate everyone, but we want to keep the group small. If you have any questions, please don’t hesitate to contact us. This tour will be a chance to learn about perfumery, discover the beautiful region of Transcarpathia, explore artisanal crafts, scents and food. The tour will include 8 days with a variety of workshops. We will travel from the capital city of Kyiv all the way west to the historical city of Lviv, and along our journey we will cook, eat, smell, have fun and discover Ukraine’s many treasures, from UNESCO heritage sites to smoked pears!

Safety: Ukraine is absolutely safe for travel. The tour will take place in the western part of Ukraine, 20km from the Romanian border. If you have any additional questions, please don’t hesitate to contact us.

Flights: we recommend flying in and out of Kyiv, unless you would like combine this trip with a visit to Poland, Czech Republic or Austria (Lviv offers easy connections to those countries). At the end of the tour, many of us will be taking a high speed train from Lviv to Kyiv, so you can travel with our group. Ukraine International Airlines offer many direct flights from the major US and European cities.

To book the tour: fill out the form on the the Experience Ukraine website. You can also see the full program on the Experience Ukraine website, while the detailed perfumery workshop descriptions are available  here.

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I’ve been waiting for Michael Edwards’s Perfume Legends II in the same way that Star Wars fans anticipate the new sequels. First published in 1996, Perfume Legends told stories behind more than 40 iconic fragrances. Edwards explained the inspiration behind the concept and the bottle and also left room for perfumers’ voices. Why did Edmond Roudnitska add an opulent plum note to Rochas Femme? How did Jacques Polge create the baroque effect of Chanel Coco? I read and re-read the book so much that my copy fell apart.

Edwards, however, wouldn’t rush the sequel. Respected in the industry for his Fragrances of the World database that assiduously tracks every new launch, he brought the same meticulousness to the Perfume Legends project. He decided to update the list, and so he spent several years researching information and interviewing perfumers, creative directors and designers. The industry can be frustratingly secretive, especially when it comes to explaining the perfume formula, but Edwards has never been daunted by such obstacles. The book reveals it all.

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Her golden hair, her pearly skin, and her melancholy face emerge out of the shadows. Bathsheba, an Old Testament heroine desired by King David enough to conspire the murder of her husband, has been painted by many artists, but few have rendered her beauty and her story with as much nuance as did Rembrandt Harmenszoon van Rijn.  As Rembrandt’s Bathsheba holds the fateful letter from David summoning her, she is torn between the loyalty towards her spouse and the need to obey king’s command. The duality pervades the entire work, from the subject’s moral dilemma to the drama of the light and shadows.

Born in 1606, Rembrandt remains the emblematic figure of the 17^th century Dutch Baroque, and his remarkable use of light continues to beguile. As this year marks the 350^th anniversary of the artist’s death, museums around the world stage exhibits devoted to his works. The Rijksmuseum in Amsterdam presents his paintings alongside other Dutch and Spanish masters such as Diego Velázquez, Frans Hals, and Francisco Zurbarán.  The Dulwich Picture Gallery in London focuses on his masterful use of chiaroscuro, highlighting the theatrical effects of the Baroque style.

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