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Johann Georg Pinsel is a mystery. Nobody knows where he was born, where he studied or even if Pinsel is his real name. The only thing that is certain is that he could make wood shed blood and tears. Last summer I found myself in the small town of Buchach where Pinsel worked and died. In just ten years, between 1750 and 1760, he created a series of sculptures and carvings of extraordinary drama and complexity. Pinsel’s angels flutter, his saints grieve, his Christ extends his hand to you in mercy.

From 28 October 2016 to 12 February 2017, the Belvedere in Vienna will honor this Baroque master, giving viewers a rare chance to see his work up close. He was active in the western Ukrainian region of Lviv (Lemberg during his lifetime) and decorated many churches in the region with his wood and stone sculptures.

Many art historians compare the power of his work to that of Michelangelo, and the only reason you haven’t heard of Pinsel is because his work came to light fairly recently. Like much of Ukraine, Pinsel’s masterpieces were affected by the terrible events of the 20th century. Just to give you an example: Lviv changed hands no fewer than eight times between 1914 and 1945. Then the Soviets destroyed the churches where Pinsel’s sculptures were housed. It’s a miracle that any of his works have survived.

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How does scent accompany your life? How do smells help you recall certain events in your past? Photojournalist Eléonore de Bonneval weaves a complex tableau of memories and impressions in her multisensory exhibit titled “The Olfactory Journey” and held in Paris between  7 November and 15 December 2016. She uses smells, sounds, and images to recreate personal journeys and memories of twenty residents of Bretonneau, a geriatric hospital in Paris, France.

As de Bonneval explains, “Residents recall with nostalgia the smell of dishes cooked by their parents or grandparents, of family holidays and even the smell of the cellar, an odor which for some Parisians is strongly associated with the Second World War. Whilst reading and hearing these stories, we discover not only “the smell of friendship” and ‘the smell of freedom’ but also ‘the smell of fear’.”

Exhibition by Eléonore de Bonneval
7 November – 15 December 2016

Hôpital Bretonneau
rue principale
23 rue Joseph de Maistre
75018 Paris
Free Entry | all days | 9h – 17h

When: October 2o-24, 2016. Where: Luberon, France. What: The Secret of Scent, a three day perfume course that I will be co-authoring with Luca Turin. The organizers tell me that we can still accommodate a couple of spots, so this is just a reminder. More details can be found via Science and Vacation and my previous post.

Those who have already emailed me about attending, I look forward to meeting you later this fall.

Whether you’re attending or not, I’d love to hear what fragrances you would most like to try in their original formulations?

Photography by Bois de Jasmin, my vintage Coty Chypre is part of the plan!

I promised to give more details on the Secret of Scent course that will run October 20-24 in Provence. Luca Turin and I will cover the science and art of fragrance during a 3-day event. We’ve decided to keep the number of attendees small to allow us to interact with every participant and give each one as much personal attention as possible. It will be an excellent educational event, and it will also be a lot of fun (food and wine tasting will be included). You need not have a background in either science or perfumery, but at the end of the course, you will have a good understanding of both fields.

Among the highlights of the program are the vintage perfumes. Participants will smell the precursors to Guerlain L’Heure Bleue, the original version of Hermès Calèche, Coty Chypre, and many other treasures. Finally, I will share some of my favorite raw materials, the essential ingredients in the perfumer’s palette.

Reservations can be made via Science & Vacation. For all of the logistical details, accommodation and prices, please contact Science & Vacation directly.

Photography by Bois de Jasmin

“The art of fortunate proportions” is how Edmond Roudnitska described perfumery. The idea is simple–all elements in the right dosages and in the right balance, but as is often the case, the simplicity is the most elusive attribute of all. Whenever I revisit his fragrances, I’m moved time and again by their grace and harmony. In Perfumes: The art of balance and proportion, my new FT column, I describe Roudnitska’s art, the elegance of Guerlain and the feisty brilliance of Germaine Cellier.

When I speak of balance in perfumery, I mean both the aesthetics and technique. Consider Guerlain’s Chamade, one of the most perfectly balanced fragrances. From the bright-green top notes to the rose and hyacinth heart and velvety, woody notes, the perfume unfolds like a silk scroll. Similarly modulated is Dior’s Diorissimo, one of Roudnitska’s masterpieces and the subject of many articles in this column. To continue reading, please click here.

Image via FT HTSI