rose: 52 posts

Divine is a perfume brand from the region of Dinard in the north of France. It’s niche in terms of distribution, which is pretty much only the Dinard shop in Brittany and a couple of online retailers, but if your definition of niche is avant-garde and quirky, then Divine doesn’t fit. The collection is classically themed and understated. What makes Divine such an appealing brand is quality and polish. Nowhere is it more obvious than in its latest release, Spirituelle.

Created in collaboration between Divine’s founder Yvon Mouchel and perfumer Richard Ibañez, Spirituelle is a rose. If you use perfumery jargon, an oriental rose, which merely means a rose laced with spices and incense. Since rose has a perfect affinity with dark, rich notes, there is nothing particularly unusual about Spirituelle’s theme. It hints at its sultry personality, but it’s still understated and soft. The allure of Spirituelle unfolds when lulled by its mild charms, you wear it to the office and suddenly, in the middle of another long, stressful day, find yourself wrapped in layers of petals and amber. It lingers for many hours on skin, changing ever so slightly, but every facet, every layer of it is delightful.

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Misia Sert and Coco Chanel shared deep affection for each other. Sert comforted Chanel when her lover Arthur Boy Capel died in a car accident. She inspired the designer and introduced her to a glittering circle of artists, writers and musicians. Misia’s salon in Paris attracted such luminaries as Marcel Proust, Claude Monet, Pierre-Auguste Renoir, Odilon Redon, Paul Signac, Claude Debussy, Stéphane Mallarmé, and André Gide. She was a talented pianist, captured by Toulouse-Lautrec at the piano, but she was also a cultural icon and a muse. In this last role, the spirit of Sert returns to the house of Chanel in the form of a new perfume, Misia.

Imagine a vintage silk purse that still holds the aroma of violet bonbons, rose scented lipstick and rice powder. This, in a phrase, is Misia. Tender and romantic, the fragrance settles on skin in a soft powdery layer, and if it suddenly makes you feel like painting your lips a retro crimson and watching The Red Shoes, I wouldn’t be surprised. It’s a perfect vintage vignette fantasy.

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April 2015 will be coming up roses at L’Artisan Parfumeur. Rose Privée, its new launch, will pay tribute to the roses of Grasse. Rose de mai, or rosa centifolia, is one of the traditional crops in the Grasse region, and even today, the plantations are maintained, albeit in smaller scope.

Perfumer Bertrand Duchaufour worked with his Grass-based apprentice Stéphanie Bakouche to create the floral harmony of Rose Privée. It’s built around the absolute of rose de mai, with magnolia, basil, lilac, and carnation adding a bright touch. The drydown is accented with patchouli.

In other L’Artisan news, the house was recently acquired by Puig, the parent brand of Nina Ricci, Paco Rabanne and Carolina Herrera. The same acquisition has also brought Penhaligon’s into the Puig family.

L’Artisan Parfumeur Rose Privée will be available starting April 2015 at the brand’s boutiques and department store counters. 50 ml Eau de Parfum/£77; 100ml/£95. Via press release.

The news of Frédéric Malle selling his Editions de Parfums house to Estée Lauder reminded me that I haven’t gotten around to writing about one of the most intriguing fragrances from his collection, Portrait of a Lady. Why intriguing? Well, consider the name. If it brings to your mind the cool elegance of Henry James’s heroines, then you’re not alone. I also expected something along these lines–ultra refined, sophisticated and feminine. Except that it is all wrong. Portrait of a Lady is interesting precisely because the scent is not at all what you expect. It’s a twist on a Middle Eastern theme, and it’s not all that lady-like.

If you’ve already smelled traditional Middle Eastern perfumes or western blends inspired by them (Amouage, Kilian’s ouds, Armani Privé Rose d’Arabie), then you might recognize similar elements in Portrait of a Lady. It has a generous dose of classical “oriental” notes–sandalwood, amber, patchouli, dark woods smoked over incense, and of course, rose. It has a similar dramatic and mysterious character that makes this perfume genre so distinctive.

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I have a new article in the Financial Times Magazine’s fragrance column, The Best Rose Perfumes. It was inspired by my trip to Grasse, where I harvested rose de mai and learned how a flower ends up in a perfume bottle. One of my most vivid scent memories will always be the moment when I entered the storage facility filled with burlap sacs of rose petals. I could almost feel the texture of that shimmering, warm scent–of pink petals, sticky nectar, dusty pollen, crushed buds, mineral dust, jute ropes and sunbaked earth. I have been searching for something that comes close ever since.

After several days of being surrounded by roses, I return home to Brussels. The city is overcast and rainy, and all I have to remind me of sunny Provence is the handful of dried roses, still richly scented, in my suitcase. I begin to experience rose-withdrawal symptoms, an affliction I need to address with perfume. My scent shelf contains plenty of beautiful roses, but my quest is for the airy, fresh and citrusy blend that smells of summer and champagne. That’s my idea of rose de mai. Please read the rest by clicking here.

Do you have favorite summery rose fragrances?