Read this article in Ukrainian: Аромат і пам’ять: Відкриваючи Одесу заново крізь запахи
Writing about Odesa today reminded me how memory itself can feel like fragrance—vivid, intangible, essential. I sit at my work table in Brussels, in the dining room, surrounded by familiar comforts. A bouquet of white freesias, casually picked up at the supermarket, fills the air with its violet sweetness. On my right, I’ve arranged a haft seen—a small altar celebrating the Persian New Year, a symbol of rebirth and renewal. Outside, even though I cannot see it from here, I know the tall magnolia tree in the garden is bursting into bloom, its petals opening softly, without hesitation.
Here in Brussels, there are no air raid sirens piercing the night, no unsettling hum of Shahed drones slicing through the quiet. In these moments, I feel deeply conflicted and yet comforted. Part of me wishes desperately to be there—in Ukraine, experiencing the intensity, the solidarity, and the rawness of life in Odesa. Another part feels profound relief to be here, safe yet yearning. I am suspended between two places, two emotional landscapes.
Memory offers a bridge. It lets me travel effortlessly, invisibly. In memory, I revisit streets filled with laughter and chaos, sea air tinged with salt and flowering acacias, the comforting dusty vanilla of old paper in vintage bookstores. I remember the way Odesa’s salty breeze tangled softly in my hair, how at night my skin carried traces of the city—sea spray, blossoms, sunlight—and how these scents whispered of moments lived fully, intensely.
Neuroscience tells us the limbic system processes memories, emotions, and aromas—all intertwined, inseparable. Perhaps that explains why, when words fall short, I instinctively turn to fragrance to express my longing, my contradictions.
I search for perfumes that capture these elusive sensations—perfumes capable of bringing Odesa back to me, with all its complexity. Something salty, subtly floral, gently warm yet edged with melancholy. As I inhale deeply, fragrance becomes more than scent: it transforms into living memory, reconnecting me to places and people I hold dear. Fragrance, like memory, becomes a necessity—not a mere luxury, but an anchor holding my emotional world together, wherever I find myself.
The perfumes that I envision seem, at first glance, unrelated to Ukraine. Guerlain’s Chamade, created in 1969 by Jean-Paul Guerlain—a French aesthete, horse lover, and poet of scent—is the most vividly transparent composition of rose and hyacinth. In its airy layers, I find the sea foam on the beaches of Odesa, and the first spring blooms spilling over garden fences in the city’s leafy streets.
Voyage d’Hermès evokes salt and stones, a walk down Deribasovska street, a reminder that Odesa was built by voyagers and adventure seekers: Italians, Greeks, French. Duke de Richelieu’s monument, the beloved founder of Odesa, now hidden away for protection against Russian attacks, still makes its presence felt. Like the perfume itself—subtle yet assertive, declaring: I have traveled, I have seen, I carry the scent of old stones and bitter herbs.
Painter Genyum, perhaps, most literally evokes Odesa for me. This spicy, woody blend, a Ukrainian bestseller, drifts frequently through Odesa’s streets. It recalls my cherished Lalique Encre Noire, yet darker, more mysterious. It feels like an invitation, a temptation to step once again into the intensity and complexity of Odesa’s life.
Maison Francis Kurkdjian’s Aqua Celestia, finally, infuses mimosa blossoms within a luminous, green, woody composition. Mimosa trails like a golden thread from bright top notes of lime and black currant through the gentle sweetness of neroli and rose. A creamy musk enhances the softness. In this fragrance, I sense optimism—fragile yet determined—that mirrors my own ambivalent feelings of being torn between two worlds, comfort and conflict, longing and belonging.
And you—have you ever experienced a fragrance that felt like a bridge to another time or place? Which scents hold your memories, your longings?
Photography (1) by Dmitro Milutin. Image 2,3 by Victoria Belim-Frolova. All rights reserved.
13 Comments
Noemi: Whispers in the Library, by Margiela (unfortunately discontinued), tries to evoke the feeling of old libraries. For me, it was the solitary Christmas time in Boston between 2019 and 2020, when I couldn´t travel to my homeland, Spain, due to visa issues, and I took refuge in a sense of hope. The world would get sick three months later, but the scent of falling snow, the air of Boston Public Library, and the fur of the kitty I cared for is still there. I keep a bottle and I use it only when I visit libraries. March 31, 2025 at 9:21am
Victoria: It was wonderful! I also don’t understand why it was discontinued. April 4, 2025 at 8:21am
OnWingsofSaffron: I was bowled over by the marvellous idea of owning and using one perfume exclusively for the occasion of visiting a library! That is truly wonderful! April 4, 2025 at 10:49am
Noemi: 🩷 April 4, 2025 at 4:11pm
Victoria: Isn’t it! April 5, 2025 at 5:36am
Andrew: I spent two years living in Korea, and during that time I liked to frequent one of the local hot springs. When I smell Comme des Garçons Scent One: Hinoki, I am immediately taken back there.
There are a few scents that take me back to my grandmother’s apartment. The first is the scent of a candle: Homesick New Hampshire. Its clove, cinnamon, vanilla and tonka bean take me to her hallway and kitchen. As for my grandmother herself, she had an extensive perfume collection, ranging from Elizabeth Taylor to Dior to Desperate Housewives, but I’ll always associate her with Dazzling Gold by Estee Lauder. When I reach the pearly gates, I know I’ll be greeted by a cloud of Dazzling and my grandmother’s embrace. It’s been long discontinued, so I settle for White Linen. When I smell it I’m eight years old again, playing in her fragrance collection. March 31, 2025 at 10:11pm
Victoria: Hinoki is one of my favorite scents. I also use Japanese hinoki baskets and soap dishes and I love how they smell when the air is warm and humid. April 4, 2025 at 8:24am
Aurora: Oh, definitely l’Heure Bleue, remembering smelling my bottle in the foul air of the RER in Paris which has always smelled of sewers, I was accompanied by someone I loved dearly who died at the age of twenty four. April 2, 2025 at 12:23pm
Victoria: Such a touching recollection. Thank you for sharing it. April 4, 2025 at 8:27am
Operafan: There’s something in Parfum Nicolai’s Odalisque that has always evokes the salty sea air that transports me back to my Uncle’s house in Keelung, Taiwan, which I frequently visited in my childhood. Whether real or imagined, the fragrance always evokes the view of the shipping harbor from the top floor of his house, and the stairs that I loved to walk up and down. I don’t wear the fragrance much but I love to smell it once in a while just to remember the happy memories.
I love Chamade exactly for the rise and hyacinth notes that you mentioned, together with the intense green at the opening. It’s how it became my first Guerlain perfume. April 2, 2025 at 9:12pm
Victoria: The opening is spellbinding. I still get a thrill smelling it. April 4, 2025 at 8:27am
OnWingsofSaffron: Places in the past are definitively scent-related for me, however—a big however!—the moment I concentrate on that olfactory memory (when I first think about it) the scent-memory literally fades away at once. And I cannot recapture it! That is so frustrating. April 3, 2025 at 11:45am
Victoria: I can relate. Some places are elusive. April 4, 2025 at 8:28am