White Florals: 20 posts

Jean Patou 1000 (Mille) : Fragrance Review

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So, you’ve worn fragrances in the days when the dangers of oakmoss didn’t occupy the bright minds in the EU’s governing bodies. Perfume to you means character and statement, not something that smelled blindly could be mistaken for shampoo or a flavor compound mistakenly rerouted from a candy factory. Or you simply love scents that have curves and glamour, just like the stars in your favorite black-and-white films. Well, I have three words for you–Jean Patou Mille. Or let’s just make it a number–1000.

1000

Although Jean Patou’s fame owes much to its 1930s bombshell Joy, 1000 is my favorite from the collection. It packs as much old-school glamour as a reasonable person could take, but that’s what makes it interesting. You can certainly find plenty of dramatic perfumes with a touch of vintage glamour, from Chanel to Frédéric Malle, from Guerlain to Parfums de Nicolaï, but 1000 holds its own next to No 5, Hermès Calèche and Madame Rochas.

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Parfums DelRae Wit : Fragrance Review

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Patricia discovers a new love in Wit.

Daphne, a spring plant that smells like candied citrus rind and jasmine, is the inspiration for  Wit, the latest creation by Parfums DelRae. Parfums DelRae is a niche fragrance brand based in San Francisco and Paris and comprised of nine fragrances known for their creativity, complexity, and high quality. I own two others: Début, a fresh, green lily-of-the- valley, and Coup de Foudre, an effervescent rose.

wit

Wit by perfumer Yann Vasnier, is easily my favorite release of 2014. I haven’t felt as excited about a floral perfume since L’Artisan Parfumeur introduced Séville à l’Aube in 2012. Although different in composition, they share the same lush, falling-into-a-pile-of-petals feeling. I wore Séville à l’Aube for a month straight after it came out, and I can easily imagine doing the same with Wit.

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Givenchy Ysatis : Fragrance Review

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Patricia tries on Givenchy’s Ysatis, once one of her signature perfumes, to see if it still fits.

The 1980s were a big decade. Big shoulders, big hair, a boom economy, and over-the-top perfumes. Givenchy Ysatis, a mossy floral created in 1984 by Dominique Ropion, was one of these, and I wore it happily for several years. At the time I was a serial monogomist where perfume was concerned, and Ysatis fit neatly between K de Krizia and Jean Louis Scherrer, Scherrer 2 in my rotation. As a mother of very young children, I enjoyed an occasional evening out, dressed to the nines and enveloped in a cloud of Ysatis.

ysatis

The perfume starts out with a blast–woody, floral, sweet, and powdery, accompanied with refreshing citrus notes and creamy coconut. Lush white floral notes, mostly fruity jasmine and ylang-ylang, dominate for the next few hours, before mellowing into a sweet and creamy dry down. It’s a  high-calorie feast of musk, amber, vanilla, and sandalwood that reminds us that Ysatis was born in the “more is more” fashion era. The dry down reminds me of the baby powder I once used on my children. While I liked this at the time, it now strikes me as cloying.

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Carolina Herrera by Carolina Herrera : Perfume Review

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Elisa discovers another underrated gem and white floral beauty in Carolina Herrera’s 1988 perfume. But don’t say that you haven’t been warned about its big sillage and quintessential 80s character.

My mother has never worn perfume, so as a young girl I had to look elsewhere for scented role models. One was my grandmother, who introduced me to the wonders of White Linen. Another was my best friend’s mother, a beautiful, petite brunette who always entered the room in a cloud of womanly sillage. Her weapons of choice – I remember seeing the bottles on her vanity – were the original Escada and Carolina Herrera.

carolina herrera

They both seemed impossibly glamorous and “grown up” from that vantage point. But in my first year of full-on, post-rabbit-hole perfume mania, I remember realizing with a jolt that, as an adult woman myself now, I am free to drown myself in Carolina Herrera if I choose to. Not having smelled it in years if not decades, I picked up a small bottle of the EDP at a discount store (in the classic polka-dot box). I got it home, sprayed it on, and smiled in recognition: it hadn’t changed.

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Vero Profumo Les Voiles d’Extrait : Mito and Rubj Perfume Reviews

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Although I make accords of various materials as part of my work, they’re not what I would call “perfume.” Most of them are meant to explore combinations of specific ingredients or to showcase a raw material. Even so, I often return to some of my favorites well after the project is over to add a little touch here or there. Imagine how much more tempting it must be for a perfumer to revisit her creations down the line, but also more frustrating, since loyal clients don’t want their fragrances to change.

vero-profumo

For indie perfumer Vero Kern the solution was to present Rubj, Mito, Kiki and Onda, the quartet that makes up her Vero Profumo collection, as three different concentrations–Eau de Parfum, Extrait de Parfum, and now Voile d’Extrait. As I quickly discovered, they could easily be different perfumes, and so I’ve waited with anticipation for Les Voiles d’Extrait.

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