New Perfume Launches: 168 posts

Laine de Verre continues Serge Lutens’s quest of toying with the artificial and unexpected. The name in French means glass wool, which is a type of fiberglass used for insulation. It’s certainly not something one would anticipate inspiring a perfume, but it’s all the more reason for Serge Lutens to try. The fragrance, built around shimmering, cool notes, promised to be a shocking and unusual item.

“A domestic quarrel between my feminine and my masculine,” mentioned Lutens’s press release, once again living up to its reputation for an enigmatic turn of phrase. I usually aim for balance and harmony myself, but I was still game to experience any upheaval in a perfume bottle. There was none, but the opening of Laine de Verre was unexpectedly classical and clean.

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Of the three new extraits de parfum in Chanel’s Les Exclusifs collection, 1932 seemed most promising, but it turned out that Beige and Jersey held more surprises. As I mentioned in my review of 1932, if you didn’t like the Eau de Toilette, the parfum isn’t going to change your mind, but in the case of Beige and Jersey, the richness, new accents and nuances might make a positive difference for those who were ambivalent about the original versions.

Beige

I already enjoyed Beige for its understated elegance, and while I proclaim my undying love for Coromandel and Cuir de Russie, I wear this delicate white floral far more often. It certainly won’t turn heads the way Coromandel does or make you time travel to the Roaring Twenties like Cuir de Russie, but if you need a well-made fragrance that feels like a comfortable silk slip, Beige is perfect.

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When Chanel announced the launch of Beige, Jersey and 1932 in Extrait de Parfum, purportedly the richest and more luxurious concentration, I was excited. Although neither Jersey nor 1932 caught my attention in the Eau de Toilette versions (Beige, by contrast, is one of my staples), Chanel often has a few surprises up its sleeve, and I waited impatiently till my local boutique received the testers.

There was some speculation as to the reason why Chanel launched the “deluxe” versions of particular perfumes in the Les Exclusifs collection. Shouldn’t the exquisitely beautiful 28 La Pausa, sultry Coromandel or polished 31 Rue Cambon receive more attention? Chanel itself said something about the noble materials and other romantic things, but the truth is that Beige, Jersey and 1932 are the best sellers in the collection, and it made more business sense to focus on them first.

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What kind of perfume do you select on days when you feel the weight of the world on your shoulders? A triple incense extravaganza that makes you smell like a Gothic church? A quirky niche perfume that requires a degree in philosophy? A complex classic? I love all of those, but on hectic days, sweet and frilly is what I turn to. Lately, La Petite Robe Noire Couture, a sophisticated variation on Guerlain’s original little black dress, is my sweet perfume of choice.

Here, I have to make a little aside. The original La Petite Robe Noire Eau de Parfum released in 2009 was tweaked in 2012, and it’s this reorchestrated version that became a runaway success for Guerlain. It’s a raspberry macaron with a twist of licorice. The sparkling Eau de Toilette was released in 2013, and this year, we have the Couture version. All but the first La Petite Robe Noire were created by perfumer Thierry Wasser.

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Lots of roses ahead! Today, Elisa reviews two recent rose-centric flankers, Roses de Chloé and Balenciaga Rosabotanica. For more on flankers in general, check out “Flankers 101.”

Chloé Roses de Chloé 

By all rights, Roses de Chloé is what the first Chloé release should smell like. The original Karl Lagerfeld Chloé from the mid-70s was a voluptuous white floral, but Chloé relaunched it as a clean rose in 2008. The problem is, it’s too clean, with so much white musk overwhelming the formula that it smells far more like a laundry room than a rose garden.

Last year’s L’Eau de Chloé, a greener version with more patchouli, was an obvious improvement – and so is this one, with its clearer, more realistic floral accord of tea rose with gestures toward springtime-y linden and lily of the valley. There’s nothing particularly unusual about it (this is a rose soliflore folks, not a moon walk), but it smells fresh, young, and pretty without smelling faux-fruity (though I do pick up a crisp apple note) or cheap. In fact, it reminds me at times of pricier niche scents like Annick Goutal Rose Splendide, Parfum de Rosine’s Rose d’Été and Yosh Sottile. If you’re looking for a simple rose scent at Macy’s or Sephora, you could do far worse and these days, couldn’t do much better.

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