chocolate: 10 posts

Saffron’s fragrance is complex. A leather accent shimmers darkly against the brightness of green and herbal notes. A languid floral undercurrent meets a spicy warmth. You would think that such an intricate fragrance would be difficult to pair, but as Persian cooking demonstrates, saffron marries well with a wide range of scents and flavors. And so I thought, why not pair it with dark chocolate?

Chocolate is another versatile ingredient despite its richness, and it serves as a perfect sidekick for saffron. The two ingredients complement each other in the most delightful way–the first impression of fresh spice is followed by the floral richness. I sometimes taste gardenia and sometimes a hint of a rose. And to enjoy saffron’s sumptuous color, I selected my favorite recipe for biscotti.

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One of the paradoxes of perfumery is that to create a good smell, you need a bit of funk. A strawberry accord won’t smell convincing without a sulphurous accent. Recreating a dewy white blossom requires the same substances that are present in horse sweat. There is even a space in every perfume lab devoted to materials with strong, reeking odors, and it’s appropriately called “the stinky room.” Next to the roses and vanillas in a perfumer’s palette, notes reminiscent of dirty hair, musty fur, burnt toast or decaying fruit have their place of honor–costus, musks, civet, pyrazines and many other pungent ingredients. They may be used in small quantities, but they’re important enhancers, giving vibrancy, texture and spice to an otherwise conventional fragrance.

Traditionally, the raunchy notes in classical perfumery were of animalic origin—musk, civet, and ambergris. Today they have been replaced by their synthetic analogs, but they play the same role, warming up a composition and giving it a lush character. Chanel No 5 wouldn’t be the marvel that it is without a cocktail of musks that lingers under the layer of champagne-like aldehydes, rose and jasmine. In Hermès’s Calèche, a whisper of sunwarmed skin keeps this refined blend from becoming icy and aloof. Even more unexpected is Cartier Déclaration, a citrus cologne with a shot of cumin, a spice with a distinctly sweaty odor. For a proper bombshell you could turn to Schiaparelli Shocking, which transforms musk, honey, and civet into a symphony of ripeness.

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Brussels is a city renowned for its chocolate, but even so, the creations of Laurent Gerbaud stand out. Their flavors are exquisite, their quality is impeccable and the presentation is beautiful. The boutique on Rue Ravenstein, located close to the Royal Museums of Fine Arts–another one of the city’s treasures–is a place I return often to taste chocolates or linger over a glass of wine.

In my recent FT Magazine article, Laurent Gerbaud, I talk about this enigmatic confectioner and his craft. The range of flavors is seasonal–fig and apricot in the summer and yuzu in the winter. One of my favorite discoveries has been milk chocolate with salt and green cumin, a combination that seems unexpected and tastes addictive.

The boutique itself is a destination–charming and serene.

When I’m finally ready to step back into the real world, I leave with a couple of chocolate bars or perhaps a Mondrian set, a box divided into squares and rectangles reminiscent of the Dutch painter’s compositions. Gerbaud’s is edible art at its best. The flavors range from delicate to intense, but the experience is invariably of pure delight. To continue reading, please click here.

Tonka bean, ginger, vanilla, Sichuan pepper, coriander, rose, mint… The flavors Jacques Génin uses in his confections might as well be taken straight from a perfumer’s palette. The Parisian chocolatier is known for his daring combinations of flavors and his impeccable craftsmanship. His caramels are legendary. His millefeuille is a towering delight of cream and shards of pastry. His pâtes de fruits look like jewels. He pairs chocolate with spices, roots and herbs, but the result is rarely predictable. Even an ingredient as ubiquitous as cinnamon becomes a surprising note in his hands, as it reveals its floral and woody nuances.  Not for nothing, the epithets used to describe Génin include “wizard,” “madman,” and “genius.”

Génin’s most recent collaboration is with by Kilian, an artisanal fragrance house led by Kilian Hennessy, and perfumer Calice Becker.  As an inspiration for a perfume, chocolate is a complicated note. It tastes sweet, but it smells animalic and pungent. Part of the flavor in most commercial chocolates is given by vanilla, which softens the animalic tang but also rounds out and simplifies the scent. So instead, Becker looked to Génin’s favorite ingredients such as Ceylon cinnamon and Calabrian bergamot to craft her perfume.

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The romance that appeals to me has a dark side, such as the poetry of Paul Verlaine, novels by Mary Shelley, gowns by Elsa Schiaparelli and Alexander McQueen, and music by Modest Mussorgsky. In perfume, dark romance is expressed in fragrances like Serge Lutens La Fille de Berlin, Caron Nuit de Noël, Arquiste Nanban, and Guerlain Vol de Nuit. If I extrapolate this idea even further into flavors, then it would be my dark chocolate pound cake with pistachios and apricots. It’s darkly romantic and decadent.

Bitter chocolate is complex enough to be paired with a variety of other flavors, but the combination with pistachios and apricots is one that I love for its harmony. Apricots give a tart floral note, while pistachios hold their own. Their sweetness becomes more pronounced against the dark chocolate foil.

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