Elisa Gabbert: 55 posts

Elisa on the return of an old-school rose.

Ultra-feminine and quite literal roses were popular during my childhood, in the ‘80s. Think Perfumer’s Workshop Tea Rose, which is fresh, pink, and photorealistic, but – somewhat undermining the delicacy of its namesake – possessing mushroom-cloud sillage and nuclear tenacity. Or Her Majesty’s Rose, the rose soliflore available at Victoria’s Secret, back when its aesthetic was more lacy-nightgown-in-a-country-cottage and less sex-bomb-in-garters. I had a coffret of perfume minis from VS when I was about 12, and the rose one, while pretty, reminded me distinctly of potpourri in antique shops.

I apparently wasn’t the only one to make that association. Moving into the ‘90s, roses that smelled like roses were about as uncool as you could get. In junior high, my mall-going friends and I ditched Her Majesty’s Rose and the other overt florals and embraced Tranquil Breezes, an intense and distinctive cucumber-melon scent. Around that time the perfume I most wanted to smell like was Calvin Klein Escape. Over the next few years I ended up with bottles of CK One, L’Eau d’Issey, and Polo Sport – aquatic, blue-smelling calone bombs to a one!

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Perfume samples are essential for the pursuit of your fragrance hobby, and Elisa tells you everything you wanted to know about these all important tiny vials: where to find them, how to store them and when to use them. This article is part of our Perfume Storage series.

One of my favorite perfume smells is not a single perfume, but the ur-perfume that rises up when I open this box of samples and minis I keep in my closet. It reminds me of the sound of an orchestra tuning up – there is no plan or pattern, just noise and chaos, and yet it sounds like music to me, a beautiful mess heightened by anticipation of what’s to come. Likewise, no matter what samples go into or come out of the box, the composite perfume always smells delicious – like fuchsia-colored roses and hazy amber, with aldehydes casting their candlelight glow over it all.

Once you fall down the rabbit hole, perfume samples start to accrue and multiply; it’s just part of the culture. In this post I’ll share my own sample habits, and I’d love to hear about yours.

Where I Get Samples

When I first got seriously interested in perfume, I would frequently order samples from places like Luckyscent. But I quickly saw the shortcomings of this method – the costs add up fast, and the samples (1 ml vials with no atomizer) were too small to get a true sense of the fragrance.

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Elisa on Tom Ford Noir Extreme and olfactory desserts for men (and not only).

First there was Thierry Mugler Angel, widely credited with creating both the gourmand and “fruitchouli” categories; perfumer Olivier Cresp poured ethylmaltol – the smell of burnt sugar – into a patchouli-heavy oriental base, starting a craze for caramel in perfume that hasn’t much slowed in 20 years. Then came Angel’s counterpart A*Men, also released in 1996, making the world safe for gourmands for men. A*Men smelled shockingly like mint chocolate chip ice cream, but retained its masculinity thanks to lavender and plenty of that same earthy, mothball-like patchouli seen in Angel.

Since its release, it has spawned plenty of variations. In addition to all the A*Men flankers (including my favorite, A*Men Pure Malt), other gourmand-friendly lines like Hanae Mori and Viktor & Rolf have offered up sweet scents for men. Take HM (1997), a crazy but appealing mix of candy notes, lavender and lemon. Later, in 2000, came Lolita Lempicka au Masculin, a delicious licorice fougère. And the release of Spicebomb in 2012, with all its smoky, leathery tobacco goodness, felt like a masculine gourmand revival.

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Elisa gives an overview of her favorite leather perfumes, from floral suedes to dark, smoky hides.

I don’t rotate my perfume collection seasonally; all [undisclosed number] of them are at my disposal year round on a big étagère in my closet. But if I did, here’s how the rotation would break down: ambers and orientals up front for winter; chypres and green florals up front for spring; white florals and beachy coconut scents up front for summer; and leather fragrances up front for fall.

One recent Friday, I went over to a friend’s house for drinks; it was the first really chilly autumnal night, and we lit an outdoor fire and sat around it drinking red wine, wearing boots and scarves for the first time and making plans for Halloween. This is exactly when I start buying candles in bulk and craving all my smoky leather perfumes. Here are a few of my favorites for fall.

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Elisa on matching lips to rose perfumes.

Recently, my friend (and author of the perfume memoir Coming to My Senses) Alyssa Harad joked on Twitter, “I have accidentally matched my shirt to my lipstick and it’s bothering me so much I have to change.” A matchy-matchy outfit and lipstick combination may qualify as faux pas, but what about matching your lipstick to your scent? Since roses almost always smell like a shade of red or pink to me, I get a synesthetic pleasure out of wearing a color that “rhymes” with what I smell.

Here are some favorite match-ups from my rose and lip product collections.

Dark Roses & Matte Reds

L – R: Maybelline Color Sensational Creamy Matte in Rich Ruby, NYX Soft Matte Lip Cream in Amsterdam, Sephora Nano Lip Liner in Real Red, Clinique Long Last Soft Matte in Matte Crimson

Dark roses are probably my favorite category of perfume, and they seem to call for drama. I don’t have the talent, patience, or eye shape for winged liquid liner, so when I want dramatic impact, I do a rich matte red lip. The Maybelline matte above (which I’ve heard is a pretty good dupe for MAC Ruby Woo) goes on super-smooth, and is a perfect match for the gorgeous, complex aged patchouli in Tom Ford Noir de Noir; it smells like red roses and bittersweet chocolate. The brighter, warmer lip pencil from Sephora is great with a classic rose chypre like Ungaro Diva or L’Arte di Gucci (try Lumiere Noir pour Femme by Maison Francis Kurkdjian if you can’t find the latter).

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