Citrus: 84 posts

No perfume families are as vast as the fruity-floral and gourmand families. It seems that you can get any dessert in perfume form, from crème brûlée to cupcakes. There are also many fragrances that smell like clones of each other, which is why after you smell one too many variations of Angel, you start giving up on the whole lot. On the other hand, if you want lighthearted and fun, then nothing can beat a well-crafted gourmand blend. From time to time, I canvas perfume store shelves for such contenders, and my latest search turned up Cacharel’s Anais Anais Premier Délice.

Premier Délice is one of several variations on the classical green floral Anais Anais, but it’s the first major departure from the original. Instead of accenting the floral notes, perfumers Olivier Cresp and Dora Baghriche took a different route. They’ve laced it with chocolate! If you’re familiar with the original, you’re probably skeptical right now, but if you like gourmand and fruity notes you’ll like Premier Délice. It is moderately sweet on the contemporary gourmand spectrum, and it has some interesting elements.

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As we recently talked about uplifting perfumes, we discovered that fig inspired scents can be terrific mood-boosters. So, Elisa reviews another fragrance with a fig theme. 

Fig fragrances usually fall into one of two camps: There’s the woody, leafy-green variety, best represented by Diptyque Philosykos and L’Artisan Premier Figuier (both composed by Olivia Giacobetti). Then there are the jammy, sticky figs, like Mugler’s Womanity and Byredo Pulp. I enjoy both styles, but I had started to feel that there wasn’t much point in trying new fig scents, since they’re always so familiar. We already own a bottle of Philosykos. Fig is fig, right?

Wrong, as it turns out – Capri Forget Me Not from Carthusia, an aromatic, citrusy fig fragrance released in 2012, has reminded me that there are always new ways to use old materials.

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Lady Gaga the performer is all about provocation and surprise, but her first fragrance, Fame, was anything but dramatic. When it came to creating Eau de Gaga, the singer was apparently much more hands-on, and for better or worse, offered plenty of opinions. So, what do we get in the elegant black bottle?

Spray Eau de Gaga liberally on your skin and take a deep inhale. If you expected candies and fluffy musk, then you’ll be surprised. It’s not sweet. It’s not fruity. Eau de Gaga is a green tea cologne, with a big dose of violet. A 21st century CK One, if you will. It has a bright and inviting introduction laced with lots of peppery citrus and green violet leaves. It’s sophisticated and polished.

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Simple. Lemon with a touch of lavender and piney rosemary. Not a perfume to wear if you want a big trail. Not a perfume that will make you ponder the mysteries of life. Just a good, no-nonsense cologne that smells bracing and sharp and makes you feel clean and energized. And the name is straightforward too, just four numbers. 4711.

When I first smelled 4711 at the now defunct pharmacy on New York’s East Side, it smelled so familiar and traditional that I could picture my grandfather slapping some on his shaved cheeks or my grandmother adding it to her bath. This was, of course, pure fantasy. 4711 didn’t exist in my Ukrainian childhood, but because the scent of a classical cologne–and 4711 is anything if not classical–has such a recognizable form, it feels as if this German cologne has always been around.

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Jean-Paul Guerlain, the last perfumer for the house carrying the family name, once memorably said that one could be a Shalimar woman or a L’Heure Bleue woman, but not both. Of course, he made the statement in his usual provocative manner, but the idea was that the two perfumes had such different characters that you loved either one or the other. I had all the makings of a L’Heure Bleue woman, having fallen for its older sister Après l’Ondée, but then I met Habit Rouge. One encounter was all it took for me not only to be captivated by its velvety orange blossom doused in incense and bergamot, but also to understand the allure of Shalimar.

That Habit Rouge is marketed to men should make no difference to women. In 1965, when Habit Rouge was created by Guerlain, the collection had many splendid feminine perfumes like Jicky, Shalimar, L’Heure Bleue, and Mitsouko, but the offerings for men were considerably less outstanding. The exception was Vétiver, which Jean-Paul Guerlain created a few years earlier. His solution to draw gentlemen to the perfume counter was to take the basic outline of Shalimar and its famous accord of citrus and sweet oriental notes and give it a dandy appeal with leather and green orange blossom. The result was a less sweet, less curvy and less ripe version of Shalimar, but with all the elegance and panache of its great ancestor.

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