Marigold & Tagetes: 13 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

White ashes falling off a burning incense stick is the main association that links the color white with the name of the Comme des Garçons fragrance. White roughness of a pomegranate’s inner skin, white powder falling gently from a chalk scraped against the blackboard, and ice covered pine branches are the images conjured by the composition. Yet, the main reason the fragrance evokes whiteness is not for any of these specific associations, but for its tranquil and quiet character. Donning its luminous veil instills the same serenity one feels when staring at the snow falling softly until the entire vista is shrouded in white.

White was created in 1996 by Mark Buxton, the nose behind the original Comme des Garçons, Comme des Garçons 2, Comme des Garçons 2 Man, Comme des Garçons 3, and Yves Saint Laurent In Love Again (with Jean-Claude Ellena), among others. The top notes spill into a sheer powdery mélange, made weightless and sheer by spices. The effervescent warmth of pepper and the camphorous sweetness of cardamom swirl like the white smoke of burning incense against the tart powderiness of pomegranate. …

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Golden caramelized plum on an animalic base is the best way to describe Rumba, a fragrance created for Balenciaga by Ron Winnegrad and Jean-Claude Ellena in 1988. Unlike some of Jean-Claude Ellena’s recent creations, such as his fragrances for The Different Company and Frédéric Malle Editions de Parfums, Rumba is miles away from minimalist. It is vibrant and exuberant, expanding into waves of warmth interspersed by beguiling darkness.

A golden plum note appears once the fragrance unfolds on the skin. The honeyed juiciness embraces a sweet note of orange blossom, which gives radiance and softness. Rumba’s fruit notes are much more impressionistic than photorealistic, revealing just a teasing luscious hint. However, neither like the dance from which it derives its name, can Rumba be called subtle.

Continue reading →

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

I might be influenced by the description of Frédéric Malle Lipstick Rose noting that Ralf Schwieger’s aim was to create a scent conjuring a woman who is half Gilda, half Silvana Mangano, but every time I put it on I envision Mangano, a sultry voluptuous Italian actress singing “Hay! Tengo ganas de bailar Un nuevo compas…” in her film from 1951 “Anna”. Intended to imitate the old-fashioned scent of lipstick, Lipstick Rose (2000) is indeed a fragrance that makes me want to pull out my tube of Chanel Coco Red. The blend of roses and violets exudes a classic femininity and elegance. It is not a fragrance that is sultry in the sense of Guerlain Nahéma or Serge Lutens Tubéreuse Criminelle, however it is unmistakably an alluring scent. It is slightly powdery initially, however the powderiness lightens once vetiver lends its earthy note. Raspberry note is quite obvious in the drydown, and it saturates the base with a sweet glow. Lipstick Rose is hardly a modern take on a rose, however occasionally it strikes me that its vintage image borders on self-conscious.

L’Artisan Parfumeur Drôle de Rose (1996), provides a similar treatment of the rose, ornamenting it with violet and raspberry. Between these two, I would choose Lipstick Rose, because its richness makes the vintage reference quite appealing, whereas in the case of Drôle de Rose, the less voluptuous body leads to an overwhelming powdery sweetness.

Photo: Silvana Mangano (1921-1989), actress of Italy’s neo-realistic period.