Jean-Paul Guerlain, the last perfumer for the house carrying the family name, once memorably said that one could be a Shalimar woman or a L’Heure Bleue woman, but not both. Of course, he made the statement in his usual provocative manner, but the idea was that the two perfumes had such different characters that you loved either one or the other. I had all the makings of a L’Heure Bleue woman, having fallen for its older sister Après l’Ondée, but then I met Habit Rouge. One encounter was all it took for me not only to be captivated by its velvety orange blossom doused in incense and bergamot, but also to understand the allure of Shalimar.

That Habit Rouge is marketed to men should make no difference to women. In 1965, when Habit Rouge was created by Guerlain, the collection had many splendid feminine perfumes like Jicky, Shalimar, L’Heure Bleue, and Mitsouko, but the offerings for men were considerably less outstanding. The exception was Vétiver, which Jean-Paul Guerlain created a few years earlier. His solution to draw gentlemen to the perfume counter was to take the basic outline of Shalimar and its famous accord of citrus and sweet oriental notes and give it a dandy appeal with leather and green orange blossom. The result was a less sweet, less curvy and less ripe version of Shalimar, but with all the elegance and panache of its great ancestor.

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Thank you to everyone who participated in the Médecins Sans Frontières (MSF), or Doctors Without Borders fundraiser. Together we have raised $6,420! This money will be of much use to the organization, especially in light of its battle against the Ebola virus in Africa. These brave doctors are working in incredibly challenging conditions, and every dollar can make a difference.

It is my pleasure to announce two winners of the draw. The first person selected randomly will receive a bottle of vintage Guerlain Mitsouko extrait de parfum. The second person selected randomly will receive a brand new bottle of Guerlain La Petite Robe Noire (thank you, Ann, for donating it to this great cause). And the winners are…

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Judging by the variety of gourmand fragrances, the kitchen is a terrific source of inspiration for perfumers, and the exchange happens the other way too. A perfumer turns to vanilla to round out a composition, and if you’re in doubt how to jazz up your dessert, try this familiar sweet note. Vanilla is versatile enough to play along side many different ingredients, but it pairs especially well with stone fruit. This was my thinking as I simmered plums with sugar and a generous dose of vanilla in an impromptu jam I had to devise with a surfeit of damsons. I splashed it over the bubbling jam so liberally that the kitchen was filled with vanilla scented steam within seconds.

The jam was very good, and my husband pronounced it the best plum jam he has tried, but I felt that something was missing. The sweetness of vanilla and plums was rich and deep, but I wished there was more bite and sparkle. When I returned to the kitchen for one more experiment, I added lemon zest and nutmeg towards the end, and the spicy-citrusy twist completed the picture. Now, this jam was not only perfumed as well as something from Serge Lutens, but it was also richly flavored.

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Patricia on the Boston Harborwalk, Jo Malone Wood Sage & Sea Salt and tide.

The Boston Harborwalk is a 47-mile continuous public walkway from Chelsea to the Neponset River along the Boston waterfront. Currently 80% completed, it is a treasure for locals and visitors alike, and I never tire of strolling along a small portion of it, watching the boat traffic and inhaling the briny, mineral scents that are part of a busy working harbor. The tides, too, influence the degree of intensity of salt and vegetation in the air. During high tide, saltiness predominates, and the breeze is fresher and cleaner smelling. Low tide, however, uncovers the rocky bottom, exposes wood pilings and seaweed, and adds an interesting vegetal and animalic muskiness to the air.

Wood Sage & Sea Salt, a cologne created by Christine Nagel for Jo Malone, falls within the cleaner range and is what I would call a high-tide fragrance. It opens with a refreshing blast of grapefruit and ambrette, which as it is an unusual combination of top notes, sadly doesn’t last long enough to suit me. The overall effect is one of freshness from the citrus and depth from the plant-based musk tones in the ambrette seed. Soon, the sea salt and sage come into play, and they, too, are clean and polished and not likely to offend. This stage lasts for a few hours, not changing in essential character but gradually fading to a pleasant skin scent.

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The other day I was trying hard to figure out why exactly I disliked Serge Lutens’s L’Orpheline as much as I did. Because I didn’t simply not care for it; it made me recoil and I had difficulty wearing it multiple times in order to review it. With some fragrances, you need a longer courtship to learn their moods and see how they can match yours, but in the case of L’Orpheline, I liked it less and less with each wear.

On the face of it, L’Orpheline should be the right one for me. It’s an incense blend, and I love incense. It intriguingly promises to layer incense with cream, and I’m game for such surprises. It’s also the product of a collaboration between Serge Lutens and Christopher Sheldrake, and I have so many perfumes created by them in my wardrobe that I can be easily called a fan. So, why does L’Orpheline fail so dramatically to entice me?

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