Reflections: 100 posts

Do you smell in color? Or perhaps you associate scents with shapes, textures or tastes? For some people, a synesthetic perception of the world around them is part of their life. Synesthesia refers to a condition when the stimulation of one sense engages others, and some famous writers and artists like Vladimir Nabokov, Vincent van Gogh and Tori Amos are known to be synesthetes.

I don’t think of myself as a true synesthete, but over the years, I have developed a way of thinking about smells that has an element of synesthesia. Certain aromas evoke colors for me, and in my video and article today, I wanted to share my experience of scents that smell blue.

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Perfume can inspire wanderlust as well as satisfy it. I can’t count the number of times I’ve planned my vacations around the harvest period for rose, lavender or jasmine, and fragrances have taken me on many journeys to meet those who grow aromatic materials or those who distill them into essences. At the same time, perfumes can be effective at satisfying wanderlust, as I have confirmed over the past few months.

It’s not surprising that scents and memories have a strong link. Olfactory impressions are processed in the same part of the brain that’s responsible for emotions and memories, the limbic system, and for this reason, memories generated by smells are particularly bright and distinctive. While it takes a very specific combination of aromas and other sensory impressions to plunge you back into a certain time of your life, perfume nevertheless can be a good way to armchair travel.

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Cherry blossoms may be the flowers most strongly associated with Japan, but the peony is another beloved bloom. If you visit Tokyo in late spring, you can spend your days wandering the most beautiful peony gardens. The most striking peonies are the ones called botan in Japanese, or tree peony. They indeed appear as if they’re growing on trees, and their flowers are much larger than the more familiar stem peonies known as shakuyaku. Their colors, textures and, of course, scents vary dramatically.

So I’ve selected several fragrances that use peony in different ways, ranging from fresh and light to dark and warm. I also would like to share several favorite spots in Tokyo where peonies are displayed in all of their splendor. While going there is not possible for most of us, we can still admire the photos on line and dream up our perfect peony perfume.

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“Is there any point in wearing perfume these days?” asked one of my readers, arguing that in our socially distant reality, perfume is becoming an irrelevant accessory. My first thought was that since we wear perfume for ourselves, being alone or in a crowd doesn’t change the pleasure it gives us. (I also wanted to point out that right now is the best time to wear perfume, since fewer people might complain about it.) Yet, the question had another layer to it, and it was about the order of priorities. How important is the enjoyment of scents now when we face a crisis?

First, let me separate perfume as a luxury product from the idea of enjoying scents. Anyone can spend a moment of their day smelling something beautiful–blooming flowers, a cup of coffee, their baby’s hair, and doing so consciously is what makes these pleasures more intense. The reason I started recording videos teaching smelling techniques is because paying more attention to our sense of smell is vital for our physical and mental health. A large fraction of our genetic makeup is devoted to olfaction. Our sense of smell is neither “primitive” nor “dispensable.” As anyone suffering from anosmia, the loss of the sense of smell, can testify, food and intimacy become bland when the scent component is gone.

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When I work on any long-term project, my office looks as if a tornado went through it. Since I prefer to work at a low table sitting on a cushion, my legs folded in the lotus position, I use the floor around me as my canvas. Books, research materials, and reference volumes cover it in random looking piles and mixed among them are items I find inspiring. Of course, the chaos is not entirely random, and I can tell you where I have my Japanese-English dictionary, Philip Kraft’s guide to fragrance chemistry or a volume of Persian poetry, without having to get up from my table. (The table, by the way, was a $10 acquisition from a Turkish shop, intended for making phyllo pastry.)

Casting a quick glance at the items that surround me today, I realized that they are much more than the materials I use for my writing, but rather the things that inspire me, the things that give me pleasure simply by looking at or touching them. I’m sure everyone can make such an inspiration collage–and I’m sure that for every person it would be different, but I wanted to share mine with you.

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