robert piguet: 5 posts

Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

When you think of Robert Piguet, Fracas is the first fragrance that comes to mind. This lush, narcotic, aggressive tuberose is certainly polarizing, but it is memorable and unique. When I heard that the new fragrance Douglas Hannant de Robert Piguet is going to be a modern white floral take, I imagined a composition that would be pink organza to Fracas’s dark purple velvet. At the same time, I always get suspicious whenever a fragrance is described as modern, clean and fresh as well as possessing “good taste, true luxury, … and timeless beauty.” In a sense, my expectations of Douglas Hannant were fulfilled—it is a fresh modern floral, nicely made, but without anything particularly dramatic or memorable about it.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Although Fracas and Bandit are the fragrances most firmly linked with Robert Piguet’s name, the perfumes credited to this house include a range of other memorably named creations: Calypso, Hirondelle, Mimo, Cattleya, Futur. Visa was created in 1947, its seductive and voluptuous form contrasting markedly with the restrained elegance of other fragrances launched during the same year – Christian Dior Miss Dior, Caron Farnesiana, Balenciaga Le Dix. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The decisions of fragrance houses to reach into their archives tend to elicit mixed feelings in me. While getting a whiff of a 1920s boudoir or a 1950s cocktail party seems like an intriguing proposition, the past cannot be resurrected in all of its complex and intricate detail. The reissued fragrances would inevitably differ from their predecessors either due to commercial (change in tastes) or practical (disappearance of raw materials) considerations. At worst, the juice in the bottle would have little to do with the fragrance that supposedly inspired it. Thankfully, the recent reorchestration of Baghari respects the Robert Piguet tradition, resulting in a fragrance that combines modern radiance with neoclassical softness.

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

In the constellation of Caron Tabac Blond (1919), Chanel Cuir de Russie (1924) and Parfums Grès Cabochard (1959), united by the smoky leather, Robert Piguet Bandit is the most fearless and daring. It is neither coy and naughty nor aloof and chic. It does not hide its aggressive animalic side under the layers of vanilla like Tabac Blond, nor softens it with the rose and jasmine sweetness like Cuir de Russie. A classical chypre, Bandit is unmistakably alluring, even if it is not the easiest acquaintance to make, especially for someone unfamiliar with this genre.

Bandit was born out of the dreams about pirates and sea voyages. Robert Piguet, a former Poiret fashion designer, upon establishing his own house in 1940, decided to create a fragrance to accompany his new avant-garde couture collection that had models walk down the runway wearing black masks and brandishing knives. His encounter with the perfumer Germaine Cellier, a rebel herself, led to the creation of Bandit in 1944, an essence of rebellion. It shocked and enticed simultaneously, its dark leather notes hinting at dark desires. …

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

Tuberose is a sensual perfume note, redolent of dusk and warm skin. Its extreme and often shocking sensuality is likely to evoke diametrically opposed responses in people. While some recoil in horror at the thought of being smothered in its heady embrace, others lose themselves in its sensual layers. Robert Piguet Fracas, as its name indicates, is nothing short of stirring powerful emotions. Created by a perfumer genius Germaine Cellier in 1948, the fragrance is dominated by an arrestingly sinister tuberose.

After the initial overture by citrus and orange blossom—an olfactory calm before the storm, the darkness begins to gather forces. Tuberose undulates slowly and sensually, emerging under the veil of sweet delicate notes. It overshadows the radiance of orange blossom, which nevertheless remains in the background, glowing like traveling lights in the marshes. The sweet creamy note of tuberose is ornamented beautifully by jasmine, violet and iris, which lend a somber introspective quality to the composition. Lily of the valley is a surprising touch of spring-like freshness, teasing and evanescent as if carried by the wind–one moment it is distinct, the next it has vanished. The composition is ornamented by woods and oakmoss, which provide a dark counterpoint to the lush floral orchestration.

Germaine Cellier (1909-1976) was also responsible for Robert Piguet Bandit, Balmain Vent Vert, Balmain Jolie Madame, Monsieur Balmain by Pierre Balmain and Coeur-Joie by Nina Ricci. She was born in 1909 in Bordeaux and subsequently came to Paris to study chemistry. Her unique talent and utterly original vision place Cellier among the most avant-garde perfumers. Fracas was discontinued and then eventually reintroduced in 1996. The original is more aggressive and animalic, but the current version is very close. The notes are bergamot, orange blossom, greens, peach, tuberose, jasmine, violet, iris, lily of the valley, carnation, sandalwood, musk, oakmoss, and cedar.