Andy: 34 posts

Jasmine tea is one of the most ubiquitous flavored teas, but finding a high-quality blend takes some research. Andy describes how jasmine tea is made and also how to buy a truly artisanal product.

The immense variety of gourmand perfumes make smelling good enough to eat a simple task. Between the chocolate-torte richness of Angel, the strawberry cotton candy of Pink Sugar, or the licorice and violet pastilles of Lolita Lempicka, the possibilities make for an endless dessert case of choices. But when I want to smell good enough to drink, I sometimes find myself at a loss. Instead, I brew myself a cup of jasmine tea, and I quickly forget my fragrant dilemma.

While drinking a cup of jasmine tea, the lines between food and fragrance quickly blur. As soon as the aroma of soft white petals and sweet, toasted leaves begins to fill the air, I’m left almost unsure whether I’d rather dab the tea on my skin or take a sip. In few other cases is the humble task of brewing a cup of tea elevated to this level of almost magical sensory indulgence. And perhaps the most blissful part of it all is the fact that enjoying jasmine tea can be a daily ritual, not just an experience for special occasions.

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Andy dreams of finding a fragrance that smells of jasmine tea.  

In concept, L’Artisan Parfumeur’s Thé pour un Été sounds like the perfect perfume for a tea lover like myself. Created in 1995 by Olivia Giacobetti, Thé pour un Été is meant to evoke the experience of sipping an icy glass of jasmine tea on a hot day. Unfortunately, my experience of repeatedly trying this perfume has felt more like sweating it out in the sun, still waiting for that glass of iced tea to come my way.

Soon after applying Thé pour un Été though, I am quickly reminded of its more interesting older cousin, Bulgari’s Eau Parfumée au Thé Vert. Where Thé Vert seems fresh and original, I don’t find nearly as much creativity in Thé pour un Été, which embellishes a familiar green tea accord with citrus, gauzy jasmine, and crisp herbs.

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Andy discovers a gem in Geoffrey Beene’s Grey Flannel.

I thought I had seen all the facets of violet: powdery, sweet, innocent—but a violet “pour homme”? While the masculine violet theme of Geoffrey Beene’s Grey Flannel sounded rather sophisticated, I couldn’t help noticing that the fittingly monochromatic boxes of this perfume sat untouched at my local discount shop for months on end. Was Grey Flannel a hidden gem? Or was it better left forgotten? Deliberating by the clearance shelf last winter, I finally decided to take the plunge, and soon realized I had been missing out on a classic that I now consider my ultimate violet perfume.

Grey Flannel, released in 1975, owes its name to the soft fabric that designer Geoffrey Beene was inspired to use for couture dresses and menswear alike. Like some of Beene’s inimitable fashion designs, Grey Flannel seems to be neither derivative nor have any copycats. Men’s fragrances have long featured floral accords, but few do so as interestingly as Grey Flannel, which entwines violet and moss covered woods in a unique embrace. It subsequently inspired Dior Fahrenheit, itself a major trendsetter, and it still remains a distinctive, memorable fragrance.

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Andy takes Ylang 49 from Le Labo to task.  

I sprayed on Le Labo’s new Ylang 49 with many expectations. As my first introduction to the Le Labo line, I wasn’t sure what to anticipate. But surely, with a brand name that evokes scientific paraphernalia and sterile-looking packaging to match, I reasoned, this “floral chypre” had to be some kind of cleaned-up, angularly modern twist on the classic genre. As it would turn out, I was pleasantly surprised—instead of whisking me through a laboratory, Ylang 49 took me on a nostalgic walk through a shady, rain-drenched garden on a spring morning.

True to its name, Ylang 49 opens with a glimpse of its namesake note, pairing the spicy floral with a touch of rose and some cool earthiness. I am reminded of the damp scent of a garden after a rainstorm, but as the fragrance warms up on skin, the rose takes center stage, and the damp earth transforms into a hint of warm, slightly mossy patchouli.

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Andy’s take on Iris Nazarena.

Some fragrances make me dream of faraway places, others awaken long forgotten memories. But Iris Nazarena, the second launch from New York-based fragrance boutique Aedes de Venustas, evokes various shades of the color grey (and no, I don’t mean the book by E. L. James). Grey is my favorite color, one that fascinates me in all its beautiful tonalities from light to dark. Likewise, there is nothing bleak or dull about Iris Nazarena, and as I smell through its layers of woods and incense-tinted iris, I’m taken by its complexity.

As it unfolds on skin, Iris Nazarena remains fairly linear, with the focus on iris throughout the entire development. As it wears on, the iris is subtly transformed by various accompaniments, incense being one of them. Perfumer Ralf Schwieger reportedly composed Iris Nazarena with Chanel No. 19 in mind as a point of contrast, attempting to create a fragrance that interpreted iris in a different manner.

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