Nathalie Lorson: 8 posts

Today Elisa talks about her most versatile layering perfumes and gives examples on how to create layering combinations. For more tips and information on layering, see How to Layer Perfumes (Part 1 and Part 2) here at Bois de Jasmin or “Adventures in Perfume Layering” at Open Letters Monthly.

Layering is a controversial practice among perfumistas. Some question why you’d disrupt the experience of a presumably complete work of art – isn’t that like hanging a Calder mobile in front of a Pollock painting? But I’ve found that the nose isn’t capable of appreciating every single material present in a perfume at once; we tend to experience it as a whole, a single smell, and that opens up possibilities. Much as you might need to layer two lipsticks to find your perfect red, layering two (or more) perfumes sometimes produces a better – or at least appealingly different – scent experience.

Lalique Amethyst is one of those perfumes that I like in theory but rarely wear in practice. Like Rosabotanica, it’s mostly a great set of top notes (blackcurrant and rose) without much of a base. Its simplicity is what makes it both a little unsatisfying on its own and one of my favorite layering perfumes. Naturally, it’s nice for bringing out more rose and blackcurrant in perfumes where those notes are already present (as in Moschino Funny!). But I was surprised to discover that it’s truly a shapeshifter in pairings; it layers pleasantly with almost anything and it’s nearly impossible to predict what the combination will smell like!

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That I’m obsessed with vetiver is obvious. If you select the note ‘vetiver‘ in Bois de Jasmin’s Find a Perfume feature, you’ll find around 20 reviews of perfumes sharing this earthy, woody leitmotif. Vetiver essence is distilled from the roots of a nondescript looking grass, but its scent is spectacular. It smells of milky hazelnuts, bitter grapefruit, licorice and driftwood. Every time I think that I have tried enough vetivers, something else comes along to tempt me. If I want dark and salty, I go for Annick Goutal’s Vétiver. If I’m in the mood for fresh and sparkling, Prada’s Infusion de Vétiver never fails to hit the spot. But if I had to wear a single vetiver perfume for the rest of my life, I would pick Lalique Encre Noire Pour Homme.

Encre Noire may not seem like an obvious choice, especially when we have vetiver gold standards like Guerlain Vétiver and Frédéric Malle Vétiver Extraordinaire. Without a doubt, those are perfumes that must be sampled at least once, but what makes Encre Noire so compelling is its elegance and versatility. It’s also impeccably crafted and memorable.

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Among my perfumes that are the equivalents of t-shirt and jeans, Roger & Gallet fragrances share a top spot with L’Occitane Green Tea and Parfums de NicolaïL’Eau à la Folie. The classical cologne, Bois d’Orange and Fleur d’Osmanthus are among my Roger & Gallet favorites. They are easy to wear and are perfect for those days when you want something refreshing and not overly demanding.

In addition, the low price (18€ or $25 for 1 oz bottle) makes them accessible. A low price doesn’t have to mean a poor quality perfume (and I would argue that the worst quality perfumes on the market today are among the most expensive). The Roger & Gallet collection is created by excellent perfumers. For instance, Fleur de Figuer was designed by Francis Kurkdjian, Bois d’Orange by Dominique Ropion, and Gingembre by Jacques Cavallier.

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After months of media buzz, Lady Gaga Fame has finally been launched.  You probably know by now how this celebrity perfume thing works.  Some celebrities—like Sarah Jessica Parker—get down and dirty in the design process, vetting the concept, going through the mods, arguing for dirtier musk, losing argument for dirtier musk, announcing that next time things are going to be different.  Then there are those under whose noses you presume a scent strip has passed, but who have not attended that endless cycle of developmental-phase meetings.

Lady Gaga appears to be of the assertive former type.  Early reports had it that the singer wanted her perfume to be based on blood and semen.  These notes, which might seem shockingly brave, are not new: Etat Libre d’Orange has already done both in Sécrétions Magnifiques.  But as happened with Parker’s dirtier musk, these notes didn’t make the final cut.  Instead, Fame, billed as “the first ever black eau de parfum,” contains “pulverized apricot, crushed heart of Tiger Orchidea, and tears of belladonna.”

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Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor.

The new Armani Privé Cuir Noir, a fragrance from La Collection des Mille et une Nuits is starting to appear in stores (recently spotted at Harrods.) Cuir Noir was created by perfumer Nathalie Lorson and includes notes of Bulgarian rose, nutmeg, coriander, guaiac wood, leather, oud, Australian sandalwood, ambergris accord, benzoin.

My overall impression–and it can apply to the whole collection–nicely done, but not mind-blowing enough to warranty the price of 180 British pounds. Cuir Noir starts out as a big sweet amber and leather in the style of Tom Ford Amber Absolute or Annick Goutal Ambre Fétiche. There is a distinctive rose note that lingers from top to drydown. The medicinal, smoky oud is such a rich accent that it makes the leather play a second fiddle. Fans of oriental blends will enjoy Cuir Noir, but if you are looking for a smoky rich leather, it will not satisfy the craving.