Big Sillage: 67 posts

Fragrance with a big presence and strong diffusion

Perfumes with the Best Sillage (and how to figure it out)

Perfume wearers and boats have more in common than one might reasonably suspect. Sillage (pronounced as see-yazh) is a French word that means “wake”, as in the airplane contrails criss-crossing the skies or the waves left on water by a passing ship. But it’s also used to describe the scented trail created by perfume. Sillage defines the degree to which fragrance emanates from its wearer and diffuses into the space around them.

Sillage is an important quality to keep in mind when buying a perfume or when selecting it for specific occasions. Big sillage scents are the most complimented because they’re easy to notice, but their distinct presence may make them inappropriate for restaurants, theatres, or some office environments. On the other hand, a fragrance that doesn’t bloom at all is rarely satisfying. The goal is to find the right sillage for your mood and lifestyle.

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Tuberose Perfumes for Men and Women – The Most Voluptuous of Flowers

What flower evokes all things lush and sensual to you? To me, it would definitely be tuberose. This blossom has many elements that make it complex and voluptuous, from the sweetness of its fruity facets to the creaminess of its coconut facets. Tuberose contains lactones, hence the coconut effect, but it also includes indoles, aroma-molecules that lend it a particularly smoldering and intriguing character. So nuanced is tuberose absolute that with few adjustments it can be made into a proper perfume. On the other hand, so distinctive is tuberose that a clever blend of coconut and another white floral can give a believable tuberose effect to a floral bouquet.

In my recent video, I talk about tuberose and mention a few of my favorite fragrances with this note. I decided to expand the discussion to include a few more excellent examples as well as to highlight tuberose scents that would work for men. This note lends itself to experimentation.

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Tom Ford Lost Cherry : Perfume Review

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Expensive fragrances get more scrutiny, and that’s only fair. If a brand wants you to pay over $200 for a bottle of scent, then you should be certain that you’re getting your money’s worth. In the case of Tom Ford, you’re paying for the name, luxurious packaging and the whole style factor that gives Ford an edge. That being said, the collection has a number of perfumes where even the special markup can be justified. Lost Cherry is one of those fragrances, because when Ford wants a bombshell perfume, he doesn’t hold back.

The name, only a touch less vulgar than Tom Ford’s F*cking Fabulous, suggests fruits and sweetness, but Lost Cherry is a sophisticated blend of woods in the style of Serge Lutens’s original Feminité du Bois. Lutens commissioned it as a woody fragrance for women, a request that at the time made a few eyebrows rise. 27 years later, nobody is surprised by “feminine woods,” but many brands still shy away from embracing the idea fully. In other words, woods play a secondary role to fruit, caramel, flowers or vanilla. Women who want woods, without too many embellishments, might well turn to the masculine side of the fragrance counter. 

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Ormonde Jayne Cuir Imperial : Perfume Review

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A certain type of leather scent is guaranteed to catch my attention. Dark, spicy, with a hint of birch tar smokiness. Think Chanel Cuir de Russie on the elegantly austere end of the spectrum or Serge Lutens Cuir Mauresque on the opulent dimension.  Ormonde Jayne Cuir Impérial falls somewhere in between. It places a trimmed down and polished leather accord against a Nezami garden of pleasures–rose, sandalwood,  saffron and iris.

Cuir Impérial reveals all of its treasures readily, and its opening is exciting. The blend of spicy and lemony notes makes for a bright start, and if you wonder how a spice can be zesty, try crushing a pod of cardamom. The lemony bite in the top notes of Cuir Impérial is fueled by cardamom, along with a dose of bergamot and pink pepper.

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Carnal Flowers

No fragrance type elicits more polarized reactions than white flowers. For some, they’re the ultimate love potion. For others–a bottled nightmare. I realize that the term “white flowers” covers too many botanicals to be useful, but let’s pretend we’re talking about night-blooming plants like jasmine, gardenia and tuberose. Jasmine can smell like horse sweat. Gardenia has a distinct whiff of mushrooms. But at least jasmine and gardenia can be tamed and made pretty and gentle. Tuberose, on the other hand, doesn’t do demure well and it also stands no competition. Add a touch of tuberose to a perfume, and it takes over everything with its warmth and luxurious heft. It’s perfect for those of us tired of wan floral perfumes that smell as if they need to be on life support.

My favorite tuberose is Frédéric Malle Carnal Flower. It’s been around since 2005, and I’ve rhapsodized about it for about that long. It thrills me with the richness of the sensations it evokes, from the brightness of green notes to the warmth of the tuberose petals. But that’s not why I selected it for my modern classics series, On White Flowers. Over the past decade it has become one of the gold standard tuberose fragrances against which others are judged. Love it or hate it, but it’s a modern classic.

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